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Phoka Nyokong’s ‘confrontation’ Sparks Conversations On African Heritage

In his own words, Phoka describes these paintings an an ongoing personal journey that looks at both   African and Western art.

by Maropeng Lelaka
30 October 2024
in ART & DESIGN
Reading Time: 2 mins read
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Phoka Nyokong’s ‘confrontation’ Sparks Conversations On African Heritage
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On November 2, Phoka Nyokong will open his latest art exhibitions titled “confrontations” This exhibit digs deep into the interesting and often complicated links between African and Western cultures. Nyokong uses his art to challenge ideas and provoke thought about how these cultures interact.

Nyokong’s artwork blends styles from both Western painting traditions and African sculptures. He reflects on the history that often puts Africa under a Western lens, focusing on how cultural artifacts from Africa are kept in Western museums. Many people call for these items to be returned to their original homes, and Nyokong’s work speaks strongly to this issue.

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READ MORE: Ernest Cole’s Fight For Justice Shown Through His Documentary 

In his own words, Phoka describes these paintings an an ongoing personal journey that looks at both   African and Western art. He believes that both cultures often see each other through a flawed lens, shaped by history. By using the title “confrontations” he hints at the tensions between Western cultural institutions and the African societies whose heritage is still housed far from home.

Nyokong’s pieces are not just straightforward art; they are layered with meaning. He draws from different sources like books, movies, and theater, creating scenes where African sculptures play out like characters in a story. His paintings mix themes of conquest and resistance, creating what feels like a dreamlike world where traditional African symbols come alive in surprising ways.

READ MORE: New Film “This is Cape Town” To Be Featured At Corona Sunset Festival World Tour 

The way Nyokong presents the title “confrontations” in lowercase is also a deliberate choice. It suggests that he is questioning traditional authority and the established  views on art. Writing it this way implies that there are ongoing quiet struggles beneath the surface between cultural and histories

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