Lukhanyo Mdingi’s exhibition “The Provenance” was an exploration of colour, shape, form, and texture. In the first part of the exhibition, Mdingi reimagined the traditional display space as a place for contemplation, reflection, and detailed study. His focus on connection was evident as each element seamlessly interacted with the others, showcasing his style and ideas.
Through the exhibition, Mdingi unveiled the inner workings of his design practice with a refreshing openness that hinted at true generosity.
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By unveiling his creative process, he reminded viewers of the long journey from idea to execution, with moodboards, sketches, samples, and prototypes which were arranged to reveal the intricate process of bringing a clothing article to life.
The exhibition not only captured the essence of the brand no but also delved deep into its personality, offering a glimpse into the origin and history of each creation.
In contrast, “The Provenance Part II” is an ongoing exhibition that focuses on the preservation of Archives, walking into the deep lineage of Bantu indigeneity and Black Consciousness in South Africa.
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Through themes highlighting Textiles, Literature, and Music, this body of work ignites the flame of intellectual and creative expression. This edition of Provenance encourages a curious exploration of the role of colonialism and mission-work in South Africa’s history, showcasing how certain frameworks across these themes have integrated into forms of expression, always rooted in indigeneity.
With a continuous spirit of collaboration, Part II is co-curated by Visual Artist Banele Khoza and The MANOR, showcasing how each theme transforms raw materials, language, and sound into intricate expressions of Culture, Art, and Identity.
