Anelisa Mangcu’s journey in the art world is deeply rooted in her family history. She is the great-granddaughter of George Pemba, a South African painter known for his social realist style. Growing up, Mangcu was surrounded by creativity, which inspired her love for art from a young age.
Over the years, Anelisa has curated more than 50 art shows, including exhibitions in museums and galleries. In 2020, she founded her own gallery, Under the Aegis, in Cape Town. Initially, the gallery didn’t have a physical space, but Mangcu participated in art fairs and other events to promote her vision.
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For Anelisa, curation is about care. She believes in guiding and supporting artists, investing in their journeys. The name “Under the Aegis” reflects her philosophy of protection and leadership. “When someone is under your curatorial direction, they’re under your care,” she explains. She chose a name that would outlive her, emphasizing community over individualism.
The gallery has participated in major South African art fairs, winning the best booth audience award at the RMB Latitudes Art Fair. This recognition was meaningful for Anelisa, as it marked her first independent participation. Additionally, one of the artists she showcased, Buqaqawuli Thamani Nobakada, received the audience choice ANNA award.
Mangcu is aware of the historical inequalities in South Africa’s art market. She believes that perseverance and strategy can create access for those who may feel left out. Instead of focusing on obstacles, she emphasizes collaboration, mentorship, and reimagining traditional gallery spaces.
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This month, Mangcu will curate a significant exhibition for artist Billie Zangewa at the Norval Foundation in Cape Town. This event marks a pivotal moment for Under the Aegis, as the gallery officially opens to the public with a full program, including Nobakada’s debut solo exhibition.
